Every month you get two live sessions with me - one focused on Q&A and career strategy, one on track feedback and hotseat coaching. You also get a new monthly challenge to make sure you're actually making music and not just watching tutorials. All sessions are recorded, so if life gets in the way (it will), you won't miss anything.

A course gives you information. The Academy gives you direction, feedback, and a room full of people who are further along than you. Most composers don't fail because they lack knowledge - they fail because they're doing it alone, without feedback, without accountability, and without anyone to tell them when they're on the right track. That's what this fixes.

Realistically? A few hours. The live sessions are about 60 minutes each. Beyond that, it's entirely up to you - some members go deep into the course vault, others just show up to the calls. There's no minimum requirement. This is your membership, not a homework assignment.

Yes, if you're serious about actually making music professionally. The Composer's Launchpad inside the vault is specifically designed for composers at the start of their journey. And honestly, starting inside a community of experienced composers is one of the fastest ways to close the gap - you'll learn more from one good conversation than from hours of solo YouTube watching.

Probably more than a beginner, actually. The live sessions are where experienced composers tend to get the most out of the Academy - bringing real projects, real career questions, and getting specific feedback rather than general guidance. The vault is there if you want it, but the calls are where the real work happens.

Every single one. They live in the vault permanently, so you can watch back at any point. If you want to submit a question or a track for feedback but can't attend live, just drop it in the community beforehand and I'll cover it on the call.

Trailer music, production music, sync licensing, horror music, cinematic piano, dark thrillers, action sound design, neoclassical strings, Logic Pro X, and more - 28 courses in total. The focus is primarily on writing music that earns: library music, placements, sync. If you want to write music for film, TV, ads, or trailers, you're in the right place.

YouTube tutorials give you techniques. The Academy gives you a path. There's a big difference between knowing how to write a trailer cue and knowing which trailer cue to write, where to send it, what libraries are looking for, and why your last three submissions got rejected. That context is what the courses, calls, and community provide - and it's not something an algorithm will surface for you.

Yes. No contracts, no awkward cancellation flows, no "are you sure?" guilt trip emails. Cancel before your next billing date and you won't be charged again. If you're on the fence, the monthly plan is the lowest-risk way to try it - one month, see if it's right for you.

Then cancel. Genuinely. I'd rather have 100 members who are getting real value than 200 who feel stuck in something that isn't working for them. If you join, show up to a couple of calls, go through the course material, and it's not clicking - cancel and I'll refund your first month, no questions asked.