The honest guide to sync libraries, licensing deals, PRO royalties, and
getting your music placed - written by a working composer.
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Most composers find out how production music works through trial and error - wrong deals, missed royalties, rejection with no explanation. This guide cuts straight to how it actually works.
Sync fees, royalties, and the difference between a one-time payment and long-term income.
What each deal type means for your rights, your income, and your freedom to submit elsewhere.
What to look for, what to avoid, and how to research before you submit.
The brief, the brief, the brief. How to write music that solves a problem.
Writer's share, publisher's share, and exactly who registers what - for every deal type.
The most common reasons - and how to stop making the same mistakes.
You've heard about production music but don't know how to break in
You're confused about exclusive vs non-exclusive deals
You want to turn your composing into a real, sustainable income
You've submitted tracks but don't know why they were rejected
You're not sure how PRO royalties work or whether you're losing money
You're tired of advice that assumes you already know the basics

I've spent over a decade writing music for film, TV, and media - working with production libraries, negotiating licensing deals, and learning how this industry actually works.
I built the Composer Academy to pass on everything I know to composers who want to build a real career writing music. This guide is where that starts.
Get the free guide and start making better decisions about your music career today.