Richard Pryn

FREE GUIDE

How Production Music Actually Works

The honest guide to sync libraries, licensing deals, PRO royalties, and

getting your music placed - written by a working composer.

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WHAT'S INSIDE

Everything the industry doesn't tell you

Most composers find out how production music works through trial and error - wrong deals, missed royalties, rejection with no explanation. This guide cuts straight to how it actually works.

01

How music gets licensed

Sync fees, royalties, and the difference between a one-time payment and long-term income.

02

Exclusive vs non-exclusive

What each deal type means for your rights, your income, and your freedom to submit elsewhere.

03

How to find the right libraries

What to look for, what to avoid, and how to research before you submit.

04

What music libraries actually want

The brief, the brief, the brief. How to write music that solves a problem.

05

PRO registration explained

Writer's share, publisher's share, and exactly who registers what - for every deal type.

06

Why tracks get rejected

The most common reasons - and how to stop making the same mistakes.

WHO'S THIS FOR

If any of these sound familiar, this guide is for you

  • You've heard about production music but don't know how to break in

  • You're confused about exclusive vs non-exclusive deals

  • You want to turn your composing into a real, sustainable income

  • You've submitted tracks but don't know why they were rejected

  • You're not sure how PRO royalties work or whether you're losing money

  • You're tired of advice that assumes you already know the basics

RICHARD PRYN

AWARD-WINNING COMPOSER - MUSIC EDUCATOR

I've spent over a decade writing music for film, TV, and media - working with production libraries, negotiating licensing deals, and learning how this industry actually works.

I built the Composer Academy to pass on everything I know to composers who want to build a real career writing music. This guide is where that starts.

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